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Artist: Eels
Album: Wonderful, Glorious
Label: E Works
Year: 2013
Genre: Indie Pop
RIAA Radar Status: SAFE
Encoder: XLD
Sample Rate: 44,1 kHz
Codec: LAME
Avg Bit Rate: 320 kbps
Description / Review:
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“I guess you could say I needed space — literally and figuratively.”
That’s EELS leader Mark Oliver Everett, aka E, sitting in the performance room of EELS’ Los Feliz, CA recording studio, talking about how he felt after the rapid release of a trilogy of albums and embarking on two world tours all within the short span of just over a year’s time. “That was an all-consuming endeavor. After that I knew it was time to get away from anything that had to do with the last few years in order to get to the next place,” he says now. “I was in an expansive mood. After twelve years recording in the same cramped basement studio, I felt the need to spread out and give myself more room to breathe and experiment.”
After 2005’s BLINKING LIGHTS AND OTHER REVELATIONS double album there followed four years with no new EELS studio releases. That dry spell was broken with what became one of the busiest periods in the EELS timeline, beginning with the release of HOMBRE LOBO in 2009, the first of a trilogy of albums including END TIMES and TOMORROW MORNING, while the band embarked on two world tours, playing over 100 shows throughout North America, Europe, Australia, Japan, and China. Nearly a year after the completion of the second tour the refreshed and reinvigorated band assembled to make new music.
Having moved into a new studio, Everett was inspired. “I was now in a situation where instead of just a basement to record in, I had an entire house to use for musical needs,” he says. The new studio, dubbed “The Compound,” was designed to fulfill a myriad of artistic needs, outfitted from basement to attic for any musical situation that may arise. “It was exciting,” he says. “It filled me with hope for limitless possibilities. And I realized I’d had a similar feeling when I first put the band together for the last two tours.”
“On the tours it was apparent to me that this was the best band I’d ever been involved with,” Everett, who has continuously rotated the personnel of the touring EELS from year to year, says now. “Night after night I’d throw them every curve ball I could think of and they’d always hit it out of the park, as the saying goes. We played a lot of stuff from the TOMORROW MORNING album, which was very electronic and keyboard-oriented on record — without a single keyboard or sampler on stage. They made it all work as a live band, and work great. It made sense that it was time to pool our talents for making new music.”
“We got together with no specific concept in mind other than being open to experimentation,” he says. “The only rule I had was ‘let’s try it.’ If anyone in the room had an idea, I’d say ‘let’s try it’, no matter how bad the idea may have sounded to me at the time. I was often proven wrong, and I don’t mind being wrong in the name of getting somewhere good.”
The resulting album WONDERFUL, GLORIOUS is rich in highly creative, unprecedented songs. “I don’t know what to compare a lot of these songs to,” Everett says. “They’re their own thing, you know? We were all really excited with what we were making.”
EELS’ tenth album is brimming with life and the tribulations that make it worthwhile — the trials of a man fighting for his life, his sanity, and the search for meaning. From the quiet man pushed too far by modern life’s increasing incivility in album opener “Bombs Away” to the title track’s sublime acceptance at album’s close, WONDERFUL, GLORIOUS offers the listener a vibrant and dynamic journey.
A number of the album’s tracks come from the point of view of a man who has found himself at a crossroads in his life. Everett says that’s no coincidence. Having written his autobiography (2008’s acclaimed THINGS THE GRANDCHILDREN SHOULD KNOW), made the award-winning PARALLEL WORLDS, PARALLEL LIVES documentary about his quantum physicist father Hugh Everett III, compiled a best of EELS (MEET THE EELS) and rarities collection (USELESS TRINKETS), and released an album trilogy, Everett felt backed into a figurative corner.
Track Listing
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[01/07] Bombs Away (5:25) 320 kbps
[02/07] Kinda Fuzzy (3:39) 320 kbps
[03/07] Accident Prone (2:50) 320 kbps
[04/07] Peach Blossom (4:03) 320 kbps
[05/07] On the Ropes (3:11) 320 kbps
[06/07] The Turnaround (4:51) 320 kbps
[07/07] New Alphabet (4:09) 320 kbps
Total number of files: 7
Total size of files: 64 MB
Total playing time: 28:08
Generated: domenica 20 gennaio 2013 14:16:50
Created with: #indie.torrents NFO Generator (Mac) v2.3b1