here is the info file from Dime
Unreleased Album:
TONY WILLIAMS aka THE STOCKHOLM SESSIONS
00-00-1974
SOURCE: cd on trade>flac
Lineup:
Tony Williams: Drums
Allan Holdsworth: Guitar
Webster Lewis: Keys
Jack Bruce: Bass
Laura “Tequila” Logan: Vocals
1. Scirocco
2. Hot & Sticky
3. Little Zorro
4. Happy Tears
5. The Spirit
ENJOY!
The Tony Williams Lifetime was founded in 1969 as a power trio with John McLaughlin on electric guitar, and Larry Young (aka Khalid Yasin) on organ. The band was possibly named for Williams’ debut album as a bandleader, Life Time, released on Blue Note in 1964. Its debut album was Emergency!, a double album released on Polydor/PolyGram Records in 1969. It was largely rejected by jazz listeners at the time of its release because of its heavy rock influences, but it is now looked upon as a fusion classic. Jack Bruce joined the group to provide bass and vocals on its second album, Turn it Over, released in 1970.
McLaughlin left the group and was replaced by Ted Dunbar on its 1971 album, Ego. This album also featured Ron Carter on bass and cello, Warren Smith and Don Alias on percussion, and Larry Young on organ. Lifetime gigs around this time featured Juini Booth on bass. This lineup’s performance in France on August 7, 1971 (venue unknown) was filmed in color and broadcast on the French television program Pop2. Following Larry Young’s departure from the band sometime after July 1972, Tony Williams was the only original member remaining.
In July 1972 Williams appeared at the Montreux Jazz Festival with an all-star lineup of the Stan Getz Quartet featuring Stan Getz on saxophone, bassist Stanley Clarke and pianist Chick Corea. This performance was memorialized with both audio and video recordings.
Williams performed the following month in August 1972 with a new brief-lived trio called Life Time Experience, featuring bassist Stanley Clarke and violinist Jean Luc-Ponty. Their performance at the Festival de Chateauvallon, Chateauvallon, France, on August 23, 1972, was captured on film in black & white.
The fourth and last Lifetime album for Polydor/PolyGram, 1973’s The Old Bum’s Rush, was recorded in Boston and featured entirely new personnel, consisting of female vocalist and guitarist Linda ‘Tequila’ Logan, Webster Lewis on organ & clavinette, David Horowitz on piano, vibes, and ARP synthesizer, and Herb Bushler on bass. Tony Williams’ father Tillmon Williams makes a guest appearance on saxophone. Prior to recording, with Larry Young still in the band, the Lifetime performed material from the album on July 1, 1972 at Carnegie Hall in New York. Marking yet another stylistic departure for the Lifetime and reinvention of the band’s musical identity, the record is characterized by a predominantly sprightly and upbeat songwriting approach, electronic keyboard-dominated sound, and jazzy female vocals. Recorded by Williams under the dark cloud of knowing that Polydor would not be renewing his contract, the album received poor reviews, and the group was effectively dissolved.
In 1974, Williams formed a new Lifetime featuring Bum’s Rush holdovers Webster Lewis on keyboards and Linda ‘Tequila’ Logan on vocals, along with former Cream/Lifetime bassist Jack Bruce and British guitarist Allan Holdsworth. This lineup, sometimes referred to as Wildlife, recorded an album’s worth of material at Europa Films Studios in Stockholm, Sweden in October 1974, which has never been officially released.