Bitchin Bajas & Natural Information Society – Automaginary

here is the NFO file from Indietorrents

Uploaded by mojfaj 3 months, 2 weeks ago

Artist……………: Natural Information Society & Bitchin Bajas

Album…………….: Automaginary

Genre…………….: Electronic

Source……………: NMR

Year……………..: 2015

Ripper……………: NMR

Codec…………….: LAME 3.99

Version…………..: MPEG 1 Layer III

Quality…………..: Insane, (avg. bitrate: 320kbps)

Channels………….: Joint Stereo / 44100 hz

Tags……………..: ID3 v1.1, ID3 v2.3

Information……….:

Ripped by…………: NMR

Posted by…………: somebody on 2015-09-01

News Server……….: news.astraweb.com

News Group(s)……..: alt.binaries.sounds.mp3.m

Included………….: NFO

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Tracklisting

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1. Natural Information Society & Bitchin Bajas – On No Fade[19:19]

2. Natural Information Society & Bitchin Bajas – Anemometer[04:23]

3. Natural Information Society & Bitchin Bajas – Tricks Me My Mind[05:13]

4. Natural Information Society & Bitchin Bajas – Sign Spinners[04:27]

5. Natural Information Society & Bitchin Bajas – Automaginary[07:54]

Playing Time………: 41:17

Total Size………..: 96,12 MB

NFO generated on…..: 2015-09-01 17:22:44

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Write anything you want… ;)

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:: Generated by Music NFO Builder v1.21a – www.nfobuilder.com ::

Collage name # torrents

Friday Five: September 19th 2015 13

Album info

The massed drone supergroup scale great heights and depths in their first communion for Drag City. Comprising the guimbri, gong, Arp 2600, Autoharp, drums and guitar of Joshua Abrams’ Natural Information Society, plus Bitchin Bajas’ organ, bass clarinet, flute and synths, ‘Automaginary’ is a prime example of when many magick cooks make for an even more magickal broth, coaxing out the kind of potent, viscose drones that vibrate you and your surroundings ’til they dissolve and deliquesce like honey. Arcing and looping over the A-side with ‘On No Fade’, they play to a glacial time-scale, building from primordial, creaking string drones to radiant and celestial peaks across a breathtaking topography of string swell, synth rivulets and chest/throat-resonating frequencies. on the other side they take ground themselves with percussion in four parts, from the scudding jazz cymbal rides and keening lustre of ‘Anemometer’, thru the dreaming harp sequence of ‘Tricks Me My Mind’, to the motorik patter of ‘Sign Spinners’ and the lolling, grooving hippy lushness of ‘Autoimaginary’ itself. What a glorious head-spinner!? Highly recommended!