From wikipedia
After their 1979 album Sunnyvista had sold poorly, Richard and Linda Thompson found themselves without a record deal. In the spring of 1980 they toured as the support act for Gerry Rafferty and in June of that year they recorded some demo tracks at Woodworm Studios in Oxfordshire.
Later that same year and with the Thompsons still without a contract, Rafferty stepped in and offered to finance and produce a new Richard and Linda Thompson album and then use his contacts in the industry and the finished album to secure a new contract with the Thompsons. This album was recorded during September and October 1980 at Chipping Norton Studios in Oxfordshire.
As the project proceeded there was increasing tension between Richard Thompson and Rafferty. Thompson preferred a spontaneous approach to recording and found Rafferty’s time-consuming and perfectionist approach hard to cope with. He also felt increasingly frozen out of the project: "When he got to the mixing, I just didn’t bother to turn up . . . because if I said something it was totally ignored and I thought ‘hey, whose record is this anyway?’"
However the album was completed, but Rafferty was unable to interest any record companies and lost in the region of thirty thousand pounds on the project. Copies of the tapes of the Rafferty-sponsored sessions have subsequently become available as a bootleg.
Finally, in the summer of 1981 Joe Boyd signed the Thompsons to his small Hannibal label, and in November of that year the Thompsons went back into the studio and recorded a new album. Boyd’s proposal, which the Thompsons accepted, was that the album be recorded in a matter of days so that money could be put aside for a tour of the USA. The resulting Shoot Out The Lights included six songs that had been recorded during the Rafferty-sponsored sessions and two newer songs. Linda Thompson was several months pregnant when the album was recorded and so there was no prospect of an immediate release or supporting tour.
In December 1981 Richard Thompson embarked on a series of low-key solo concerts in the USA (his first shows in that country for more than ten years). During this "mini tour" he commenced a relationship with Nancy Covey, who had arranged the tour and who was to become Thompson’s second wife. Richard and Linda Thompson separated in early 1982, and severed their working relationship after the May tour to promote Shoot Out The Lights. This timeline is required to debunk the great myth about this album – that it deals specifically and publicly with the break-down of the Thompsons’ marriage. Six of the eight songs that were included on the album had been recorded over two years earlier at Woodworm Studios and again during the Rafferty sessions – nearly a year before Richard Thompson first met Nancy Covey. "Man In Need" and "Did She Jump Or Was She Pushed?" were newer than the other songs on the album, but they too had been recorded before there was any indication that the marriage was over.
Ironically, the album that was recorded when the Thompsons’ career seemed all but over and which turned out to be their last album together was their best selling album and acclaimed as one of their greatest artistic achievements. More importantly the album and the May 1982 tour to promote it were very well received in the USA by the public, the critics and by other musicians.
Shoot Out The Lights and the May 1982 tour was crucial in re-launching Richard Thompson’s career and in restoring his reputation as a songwriter and guitar player.
Critical response
At the end of 1982, many critics placed the album on their year-end "best of" lists. In 1989, it was ranked #9 on Rolling Stone magazine’s list of the 100 greatest albums of the 1980s. In 2003, the album was ranked number 333 on Rolling Stone magazine’s list of the 500 greatest albums of all time. In March 2005, Q magazine placed the title song at number 99 in its list of the 100 Greatest Guitar Tracks.