here is the NFo file from Indietorrents
ARTiST :. The Mint Chicks
ALBUM .: Screens
YEAR :. 2009
TYPE .: Album
GENRE :. Indie
TRACKS .: 11
LABEL :. Flying Nun/Valve
SOURCE .: CDDA
CATALOG :. V113
RiP.DATE .: 12-06-2009
STR.DATE :. 00-03-2009
GRABBER :. EAC
ENCODER .: LAME 3.97
BiTRATE :. VBR.kbps.44.1kHz
MODE .: HQ Joint-Stereo
01. – Red White or Blue – 03:55
02. – 2010 – 02:39 Ы
03. – Hot on Your Heals – 02:01
04. – Don’t Sell Your Brain Out, Baby – 02:07
05. – I Can’t Stop Being Foolish – 02:46
06. – What A Way – 03:32
07. – Screens – 02:31
08. – Sweet Janine – 02:37
09. – Telephone – 01:50
10. – Enemies – 02:53
11. – Life Will Get Better Some Day – 03:18
(review from undertheradar.co.nz)
www.themintchicks.com
remember, go buy this if you give it more than one listen.
Australian music kicks arse. Always has, always will. We’re just glad
that you’re all on board for the ride. We here at OZM will continue
to shove Australian music right in your face proving that it’s at
least equal to and usually better than any international act.
The crowning glory of the local music industry – the last bastion of
hope.
It doesn’t come around often that a band get to their third album,
let alone unscathed.
But it’s a time for exceptions.
What has set The Mint Chicks apart from their counter rivals is
natural song writing ability.
Since Opium for the People, they have hinted at the direction they
could take, one that would separate them from the other jump around
screamo bands at the time. And then leading onto Crazy Yes Dumb No,
Kody’s true talent came through with the most dominating album to
come from NZ in years.
This new album Screens is a path not too far from their last album
and I’d be hard pressed to pin point this, but I like a challenge.
Fifties inspired progressions with bedroom DIY instead of smooth
studio sounds but rather the grittier side of the effect spectrum.
This is The Mint Chicks synthesized.
There’s still the heavy lead of the vocal steering the album but the
musical side of Ruban is not be messed with. Songs can turn at any
given moment without the slightest sense of disjointedness.
It’s a worthy album for listening, playing fuckn loud, studying
songwriting, hell what ever you feel like.