35 X 35 is not just another best-of compilation. Alligator founder and president Bruce Iglauer and staff chose to spotlight songs from the Alligator debut release from each featured artist. From "She’s Gone" (the very first track on the very first Alligator album, 1971’s Hound Dog Taylor and the HouseRockers) to the legendary Mavis Staples’ chilling "A Dying Man’s Plea," 35 X 35 is effectively a chronological history of Alligator, a story told in music highlighting every style of blues and roots music the company has released. From the searing hard blues of Hound Dog Taylor, Son Seals, Albert Collins, Luther Allison, Koko Taylor and Buddy Guy to harmonica-driven workouts from Big Walter Horton, Carey Bell, James Cotton, Charlie Musselwhite and William Clarke to the Gulf Coast piano blues of Professor Longhair, Katie Webster and Marcia Ball to the acoustic music of Saffire–The Uppity Blues Women and Corey Harris, it is clear that Alligator Records has been, and will remain, at the forefront of modern blues music in all of its many shades. With personal notes on each track from Iglauer in the accompanying 40-page booklet, 35 X 35 is proof of the staunchly independent label’s single-minded vision for all these years: to record nothing but deeply rooted "Genuine Houserockin` Music." (Alligator)
Alligator Records never forgets an anniversary. "The country’s largest contemporary blues label," as it rightly bills itself, has released multidisc compilations celebrating its 20th, 25th, 30th, and now 35th years. For reasons that aren’t entirely clear, only tracks recorded for an artist’s first Alligator disc are chosen for this chronologically presented summary of music that stretches from Hound Dog Taylor’s electrifying 1971 label debut to Mavis Staples’s in 2004. Although the imprint made a tentative stab at reggae in the mid ’80s, its roster generally upholds the "genuine houserocking music" credo Alligator has boasted as a tagline since the early days. Whether reviving the careers of blues rockers (Johnny Winter, Roy Buchanan, Lonnie Mack, Elvin Bishop) or ageing icons with plenty of gas left in their tanks (Koko Taylor, Buddy Guy, Katie Webster, Mavis Staples, James Cotton, Guitar Shorty) or finding new blood to carry on the traditions (Michael Burks, Corey Harris, Dave Hole, Tinsley Ellis, Shemekia Copeland), Alligator sets the standard for what an independent label can achieve. These 35 nuggets extracted from a catalog of 225 albums only begin to tell the label’s story, but there’s not a weak one in the lot. Founder Bruce Iglauer’s intriguing and insightful liner notes for each act add depth to the tunes, making 35×35 a representative sampler that’s also an exhilarating listening experience, and a fascinating overview of American roots music. (Hal Horowitz )