here is the NFO file from Indietorrents
Artist……………: Pheromoans
Album…………….: Does This Guy Stack Up?
Genre…………….: Indie / Rock / Alternative
Source……………: Vinyl
Year……………..: 2012
Ripper……………: My Encoder & Asus CD-S520
Codec…………….: LAME 3.98
Version…………..: MPEG 1 Layer III
Quality…………..: Insane, (avg. bitrate: 320kbps)
Channels………….: Joint Stereo / 44100 hz
Tags……………..: ID3 v1.1, ID3 v2.3
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Tracklisting
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1. (00:04:00) Pheromoans – The Final Sugar Rush
2. (00:03:01) Pheromoans – I’m A You-Know-What
3. (00:01:51) Pheromoans – Don’t Mention It
4. (00:02:09) Pheromoans – A Freak’s Xmas
5. (00:03:31) Pheromoans – Power Watch
6. (00:02:40) Pheromoans – Waterworld
7. (00:02:22) Pheromoans – баланс
8. (00:03:00) Pheromoans – Grab A Chair
9. (00:03:55) Pheromoans – Deport Little John
10. (00:02:14) Pheromoans – Old Lord Fauntleroy
11. (00:03:43) Pheromoans – Deck Waltz
12. (00:02:26) Pheromoans – Moth On The Mend
Playing Time………: 00:34:50
Total Size………..: 82,24 MB
Album info
The Pheromoans are a six piece experimental rock band from the South East of England who deal in a deadpan DIY music. Wedded to the mundane, surreal reportage of our lives as reflected in the media, their music manages to address the truly restless boredom of everyday life. These are songs for the back of the queue, songs from underneath the ergonomic desk, a glimpse through the commuter window, blasted through with brilliant suburban sunshine. ‘Does This Guy Stack Up?’ witnesses a slight departure from their sound of old. With the recent addition of keyboard/violin player Dan Bolger to the band, their songs have leaned into a more pop-balanced realm, with the band’s experimental tape collage approach sounding more natural than ever. The bass (Christian Butler aka The Octogram), drums (James Hines) and guitars (James Tranmer, Alex Garran) together forging a coherent foundation for Walker’s voice to ramble amongst the radiant synth and electronic flourishes. ‘Old Lord Fauntleroy’ is a joyous barrage of roaming bass, primal beats and droning keyboard, whilst ‘Waterworld’ propels itself through drifts of violin fog. Central to the appeal of The Pheromoans are Russell Walker’s insightful, often wonderfully humorous, self-deprecating lyrics that paint a picture of all of us as outsiders. ‘Don’t Mention It’ for instance is the only song we know that references both Royal Ascot and Puppetry Of The Penis. Finding much material in the slow and steady decline of the 21st century and its vain pursuits, Walker isn’t afraid to rattle the cage of populist politics, and other comfortable ways of thinking, sighting Mariella Frostrup as well as Richard Littlejohn in the crosshairs.”