From Pitchfork:
Former Roxy Music frontman Bryan Ferry has featured Bob Dylan covers on his albums before, but his 12th solo album, Dylanesque, is dedicated entirely to them. The album is out now in the UK, and Capitol will release it in the U.S. on June 19.
Most of Dylanesque was recorded in one week in the studio with Ferry’s touring band. According to a press release, Brian Eno, Procol Harum guitarist Robin Trower, and Dirty Three/Grinderman/Nick Cave and the Bad Seeds member Warren Ellis provide "sonic enhancements," guitar, and string arrangements, respectively.
Ferry is currently on tour in the UK and Europe in support of Dylanesque. He will continue to play live through mid-April, and he has one date at a Princess Diana tribute in July.
Posted by Dave Maher in album, tour on Mon: 03-05-07: 04:43 PM CST
From the BBC:
Some diehard Roxy Music fans may be a mite miffed that the band’s long-delayed album has been made even more tardy while Byron Ferrari promotes this, his new solo project. But while it may be a slightly mixed bag of Zimmerman covers, it still sounds better than anything he’s done in years. There’s life in the old dinner jacket yet, it seems.
It’s ironic to note that when Ferry first attempted a Dylan cover way back in 1973 (with “ A Hard Rain’s Gonna Fall”) he was savaged by a snooty muso press pack who wondered if he was taking the p*ss by translating Bob’s words into a quavering-voiced glam romp. On Dylanesque he gives us 11 similar readings and it now sounds like the most mainstream thing in the world.
However, it’s pointless to say that Bryan’s readings take the raw edge off of the originals. Frankly anyone’s cover versions of Dylan (unless they’re by Killswitch Engage) are going to be smoother. Even the harmonica, compared to Bob’s squawking, sounds like a finely played cor anglais. Well, nearly.
What is surprising is his choice of Zim-hits. While ”Just Like Tom Thumb’s Blues” and ”Positively 4TH Street” could BE Roxy (Guy Pratt and Chris Spedding both having been associated with the band for years anyway), ”Gates Of Eden and ”The Times They Are A-Changin’” prove to be somewhat odd considering their more political agenda (and let’s not mention fox hunting here, eh?). The only piece of sacrilege is an AOR mauling of “Simple Twist Of Fate” that loses any subtlety to its wailing guitars.
But really, this is a rock-solid collection, far more suited to his fragile croon than the previous collection of covers, As Time Goes By (1999). It all proves that maybe Dylan was at the heart of Ferry’s muse, even back in 1972. Let’s hope he brings such energy to that Roxy album…
Reviewer: Chris Jones