here is the NFO file from Indietorrents
———————————————————————
Bassholes – When My Blue Moon Turns Red Again
———————————————————————
Artist……………: Bassholes
Album…………….: When My Blue Moon Turns Red Again
Genre…………….: Indie
Source……………: CD
Year……………..: 1998
Ripper……………: Asus CD-S520
Codec…………….: LAME 3.98
Version…………..: MPEG 1 Layer III
Quality…………..: Extreme, (avg. bitrate: 235kbps)
Channels………….: Joint Stereo / 44100 hz
Tags……………..: ID3 v2.3
———————————————————————
Tracklisting
———————————————————————
1. (00:01:55) Bassholes – Microscope Feeling
2. (00:02:33) Bassholes – I Saw Beauty
3. (00:02:33) Bassholes – Platform Blues
4. (00:02:59) Bassholes – Born to Die
5. (00:02:41) Bassholes – Cockroach Blues
6. (00:01:33) Bassholes – Florida Bus
7. (00:02:21) Bassholes – Bowling Ball
8. (00:02:43) Bassholes – She Came on the Bus
9. (00:01:42) Bassholes – Interzone
10. (00:02:26) Bassholes – Evil Eagle
11. (00:02:53) Bassholes – Hell Blues
12. (00:02:54) Bassholes – 7 Days
13. (00:03:44) Bassholes – For the River
14. (00:03:08) Bassholes – Swimming Blues
15. (00:04:57) Bassholes – Virginia Valley Blues
16. (00:02:40) Bassholes – Jack and the King’s New Ground
17. (00:03:32) Bassholes – Judge Harsh Blues
18. (00:02:13) Bassholes – Moody
19. (00:02:55) Bassholes – Girls Girls Girls
20. (00:03:38) Bassholes – Nakema
21. (00:02:32) Bassholes – (I’m Gonna) Write Me a Letter
Playing Time………: 00:58:32
Total Size………..: 97.65 MB
Album info
Allmusic: When My Blue Moon Turns Red Again may just be the definitive statement and expression of the Bassholes’ fuzzy-boundaried dilemma of blues, punk, noise, and avant-garde rhythm rock. Landing as it does on the hells of the obtuse, experimental subterranean howl of an album Longway Blues, it’d be hard to think that the Bassholes didn’t use that album as an exercise in honing their core out-rock, rock-out sound. On its own, this is a double LP of their trademark wail. Singer/guitarist Don Howland barely keeps up with the slinky, demanding freestyle blues improv drumming of Bim Thomas, but they lock into one another and can clearly read their own idiosyncratic roadmap. The LP is best either taken in small doses or consumed complemented by a six of Budweiser. It’s a refreshingly bleak affair. Howland does have a knack for getting at the emotional core of the blues while offering just enough of the style’s formal trappings to make you believe that he may just be rocking out. That’s why the cover of Joy Division’s “Interzone” is utterly perfect here. It’s bleak emotional landscape and deceptively simple tune is the perfect canvas for Howland’s red-blooded, deep cover blues subterfuge.