The idea of yet another mashup album may seem tiresome in 2012, but just a few years ago, in 2004, it felt fairly revolutionary. Sure, some had heard things like the Christina-Aguilera-with-The-Strokes remix “A Stroke of Genie-us,” but most such tracks couldn’t stand on their own without punny titles and high-concept juxtapositions.
The Grey Album helped show that a mashup could be more than a novelty. Its creator, DJ Danger Mouse, now one of music’s hottest producers, was one of the first to pair two artists together for a full-length album: All the instrumentation came from the Beatles’ The White Album and all the vocals came from Jay-Z’s The Black Album. And he mixed the music together better than anyone else had. By putting in more than 200 hours of work, he crafted a remix album good enough that Pazz & Jop chose it as one of the 10 best albums of the year. It didn’t hurt, of course, that it stirred up a lot of controversy: EMI requested that Danger Mouse and his fans cease distribution of the album. This only provoked fans to share it more.
So it’s appropriate that The Grey Album’s new remastering, uploaded this week, is, once again, unauthorized. According to Forbes, Colorado recording engineer John Stewart, who has worked on tracks featuring artists like Kanye West, Big Boi, and John Legend, was struck with flaws in the original’s mix, and so decided to “put the sonics on steroids.” The result is a clear improvement upon the 192 kbps version I downloaded back in the mid-2000s.
1. Public Service Announcement (Long, Long, Long) 2:45
2. What More Can I Say (While My Guitar Gently Weeps) 4:25
3. Encore (Glass Onion, Savoy Truffle) 2:40
4. December 4th (Mother Nature’s Son) 3:34
5. 99 Problems (Helter Skelter) 4:06
6. Dirt Off Your Shoulder (Julia) 3:59
7. Moment of Clarity (Happiness Is a Warm Gun) 4:00
8. Change Clothes (Piggies, Dear Prudence) 4:04
9. Allure (Dear Prudence) 4:06
10. Justify My Thug (Rocky Raccoon) 4:12
11. Lucifer 9 / Interlude (Revolution 9, I’m So Tired) 2:01
12. My 1st Song (Cry Baby Cry, Savoy Truffle, Helter Skelter) 4:44
Courtesy of John Stewart
Colorado-based recording engineer John Stewart was recently on his way to a date and blasting Parliament Funkadelic when he got the urge to listen to something else: The 25-year-old reached for a random CD in the driver’s door of his 2000 Volkswagen Jetta, grabbed The Grey Album, and placed it in his stereo without giving much notice to what he was about to play. “The Grey Album, it’s always been, honestly, one of my favorite albums,” he says. Released to critical acclaim back in 2004, the mash-up collection combined a cappellas from Jay-Z‘s The Black Album with backing tracks lifted from The Beatles’ The White Album—hence the album’s title.
The Grey Album became a cultural tipping point that established the mash-up as a bonafide pop phenomenon; It transformed into a symbol for the burgeoning online remix culture, a work of art that digital activists rallied behind as EMI sent out cease-and-desist orders to take the album down; And it helped its creator, Brian Burton, aka Danger Mouse, skyrocket to popularity and create the venerable pop career that’s made him one of the most beloved producers in the industry.
Stewart first heard The Grey Album the year it came out after a friend gave him a burned copy of the album—the very CD-R Stewart recently popped into his car stereo. A fan of Jay-Z, Stewart really took a shine to the album, which he says he’s always held in high regard. But on that recent car ride something was slightly amiss—the sound. A graduate of the MediaTech Institute, a Dallas school for media arts, Stewart has been a professional audio engineer for three years and has worked on tracks featuring artists such as Tony Williams, Kanye West, Raheem Devaughn, Wale, Big Boi, John Legend, Chip Tha Ripper, and Big K.R.I.T. He does all his work from his home in Colorado Springs, which allows Stewart to work at a more relaxed pace, though it’s not without its drawbacks. “I’ve kind of become a recluse and a hermit,” he says.
It’s got plenty of advantages too: Revisiting The Grey Album with an expert ear gave Stewart the ability to pinpoint its audio flaws, and his professional experience gave him the agency to do something about it. Stewart says he first got the idea to remaster The Grey Album on Wednesday, Nov. 21, but it didn’t really click until that Saturday. On Sunday he set out to improve the album’s audio, tinkering with various faders in ProTools until he achieved the desired effect: “I just kind of put the sonics on steroids,” he says. Stewart knocked out the entire project that day and uploaded The Grey Album (Remastered) to SoundCloud and MediaFire on Monday. In the few passing days since releasing the updated version of The Grey Album it’s been covered by sites such as The Source and FACT Magazine, and a swarm of fans have reached out to Stewart to thank him. “A lot of people have thought that it needed to be remastered,” he says. “So it worked out.”
Stewart says he’s seen people from around the world flock to him—he said his website received about 200 hits from Hungary on Tuesday alone—though personal fame wasn’t the goal. “I wasn’t putting it out to be discovered,” Stewart says. The digital artwork for The Grey Album (Remastered) does include his name on the back cover (“I’ve always enjoyed seeing my name in credits,” he says), but that’s also part of what he considers a pragmatic move. “I wanted people to be aware it was something different,” he says. Among the subtle changes Stewart made to the artwork is a bold border, which also covers up the lower half of his name. It’s more or less a reminder that this is Danger Mouse’s original product, just with a new polish.
While Danger Mouse incurred the wrath of EMI with his original, Stewart isn’t worried that his remastered version of The Grey Album will get him in trouble. “I think that the world and how music is perceived and received is very different in 2012 than it was in 2004,” he says. Though he initially didn’t consider the legal ramifications of his project, researching the fallout from the original Grey Album gave him the confidence that he won’t be reined in for remastering the album considering EMI didn’t seek any further legal recourse after sending its cease-and-desist letters. Stewart merely took something that’s already available as a free download and “gave it a makeover” eight years after it debuted. “I’m not trying to profit off it,” he says. “I’m not seeing any harm.” Stewart says he’s even seen someone from EMI tweet positing things about his remaster.
Danger Mouse has yet to weigh in, though fans have already begun posting it to his official Facebook page. Perhaps he’ll give it the remastered version same endorsement the original received from Jay-Z and Paul McCartney, and perhaps Stewart will get a career boost akin to the one Danger Mouse experienced back in 2004. No matter what may happen to Stewart in the future he’s certainly found an interesting way to subtly remix the legacy of a classic mash-up album without changing a thing.