Obscure Records No. 10 – The Pavilion of Dreams

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Obscure No. 10: The Pavilion of Dreams – Harold Budd (1978)

00:00/18:25

Bismillahi ´Rrahmani ´Rrahim (18:14)

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Bismillahi ´Rrahmani ´Rrahim (18:14)

Two Songs (6:23)

Madrigals Of The Rose Angel (13:47)

Juno (7:35)

listenBismillahi ´Rrahmani ´Rrahim (18:14)

Alto Saxophone – Marion Brown Celesta – Richard Bernas Electric Piano – Harold Budd Glockenspiel – Gavin Bryars Harp – Maggie Thomas (2) Marimba – Howard Rees, Jo Julian, John White, Michael Nyman

listen Two Songs (6:23)

Let Us Go Into The House Of The Lord

Harp – Maggie Thomas

Mezzo-soprano Vocals – Lynda Richardson

Butterfly Sunday Adapted By – Harold Budd

Composed By – John Coltrane

Harp – Maggie Thomas

Mezzo-soprano Vocals – Lynda Richardson

listenMadrigals Of The Rose Angel (13:47)

Rossetti Noise

Celesta [Celeste] – Gavin Bryars

Chorus – Alison Macgregor, Lesley Reid, Lynda Richardson, Margaret Cable, Muriel Dickinson, Ursula Connors

Conductor [Chorus] – Harold Budd

Electric Piano – Richard Bernas

Harp – Maggie Thomas

Percussion – Nigel Shipway

The Crystal Garden And A Coda

Celesta [Celeste] – Gavin Bryars

Chorus – Alison Macgregor, Lesley Reid, Lynda Richardson, Margaret Cable, Muriel Dickinson, Ursula Connors

Conductor [Chorus] – Harold Budd

Electric Piano – Richard Bernas

Harp – Maggie Thomas

Percussion – Nigel Shipway

listenJuno (7:35)

Glockenspiel – Gavin Bryars Marimba – Michael Nyman Percussion – John White Piano – Harold Budd Vibraphone – Howard Rees Vibraphone [Vibes] – Jo Julian Voice – Brian Eno, Gavin Bryars, Harold Budd, Jo Julian, John White, Michael Nyman

Recorded At – Basing Street Studios, November 1976

Composed By – Budd* (tracks: A1, A2, B1, B2)

Engineer – Rhett Davies

Producer – Brian Eno

An extended cycle of works begun in 1972. Bismillahi ´Rrahmani ´Rrahim from 1974

Two Songs from 1973-74

“Let Us Go Into The House of the Lord” is a setting of a traditional hymn after a version by Pharoah Sanders.

“Butterfly Sunday” adapted from John Coltrane’s “After The Rain”

Madrigals Of The Rose Angel from 1972

Juno from 1975 was composed for John Bergamo; her mortal symbol is the peacock.