here is the NFO file from Indietorrents
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Cornell Campbell – Boxing
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Artist……………: Cornell Campbell
Album…………….: Boxing
Genre…………….: Reggae
Source……………: NMR
Year……………..: 1982
Ripper……………: NMR
Codec…………….: LAME 3.98
Version…………..: MPEG 1 Layer III
Quality…………..: CBR 256, (avg. bitrate: 256kbps)
Channels………….: Joint Stereo / 44100 hz
Tags……………..: ID3 v1.1, ID3 v2.3
Information……….: ?????????????m
Ripped by…………: NMR
Posted by…………: viker on 6/1/2012
News Server……….:
News Group(s)……..:
Included………….: NFO
Covers……………: Front
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Tracklisting
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1. (00:03:30) Cornell Campbell – It’s Grooving Time
2. (00:03:36) Cornell Campbell – Queen Of The Minstrel
3. (00:03:51) Cornell Campbell – Be True To Me
4. (00:03:22) Cornell Campbell – Speak No Evil
5. (00:03:26) Cornell Campbell – The Gorgon Is Back
6. (00:03:07) Cornell Campbell – Party Time
7. (00:03:59) Cornell Campbell – Boxing
8. (00:03:28) Cornell Campbell – Natty Dread
9. (00:03:16) Cornell Campbell – Rasta Come From Jail
10. (00:03:47) Cornell Campbell – Confusion On The Land
11. (00:03:25) Cornell Campbell – 100lb Of Collie
12. (00:02:49) Cornell Campbell – Devil In Bed
Playing Time………: 00:41:34
Total Size………..: 77.94 MB
NFO generated on…..: 6/1/2012 10:03:40 PM
Collage name # torrents
Roots Reggae: 1967-1982 6
Album info
Bio:
Perhaps best known for the series of “Gorgon rock” records he cut with legendary producer Bunny Lee, reggae singer Cornel Campbell was born in Jamaica in 1948. As a teen he recorded his first material for Studio One, cutting a series of ska sides both as a solo artist and as one half of a duo with Alan Martin; from 1964 to 1967, Campbell seemingly disappeared from the music business, however, finally resurfacing as a member of the short-lived rocksteady harmony trio the Uniques. As the decade ended, he helmed the Eternals, scoring a number of Studio One-generated hits including “Queen of the Minstrels” and “Stars,” but in 1971 again went solo after teaming with Lee, a pairing which spotlighted Campbell’s distinctive falsetto to stunning effect. Despite earning acclaim for a self-titled LP issued on Trojan two years later, in 1975 he shifted from the lovers rock sensibility of recent efforts toward the more explicitly rastafarian approach of records like “Natty Dread in a Greenwich Farm” and “Natural Fact,” both of which emerged among his biggest hits to date. Later that year, Campbell and Lee also launched “The Gorgon,” a boastful smash which yielded a series of hit sequels. While 1977’s “The Investigator” heralded a successful return to lovers rock, Campbell’s commercial clout waned in the years to come, and in 1980 he and Lee parted ways; subsequent pairings with producers including Winston Riley, Niney the Observer, and King Tubby failed to re-create the excitement of past sessions, however, Campbell remains active touring to this day.