here is the NFO file from Indietorrents
Uploaded by mojfaj 8 months, 1 week ago
Artist……………: Christina Carter
Album…………….: Texas Modern Exorcism
Genre…………….: Folk, World, & Country
Source……………: NMR
Year……………..: 2013
Ripper……………: NMR
Codec…………….: FhG
Version…………..: MPEG 1 Layer III
Quality…………..: Insane, (avg. bitrate: 320kbps)
Channels………….: Stereo / 44100 hz
Tags……………..: , ID3 v2.3
Information……….:
Ripped by…………: NMR
Posted by…………: somebody on 2013-08-23
News Server……….: news.astraweb.com
News Group(s)……..: alt.binaries.sounds.mp3.m
Included………….: NFO
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Tracklisting
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1. Christina Carter – Painting [19:35]
2. Christina Carter – Dance [07:28]
3. Christina Carter – Film [07:52]
4. Christina Carter – Poetry [07:06]
5. Christina Carter – Music [07:07]
6. Christina Carter – Drama [12:25]
Playing Time………: 01:01:36
Total Size………..: 97,80 MB
NFO generated on…..: 2013-08-23 03:58:30
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Write anything you want… ;)
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:: Generated by Music NFO Builder v1.21a – www.nfobuilder.com ::
Album info
the set opens with the electrifying blues hymnal “Painting”, with Christina playing slow, forlorn Ayler-ised laments on harmonica over spare, resonant electric guitar. It sounds like the goddamn sun coming up. “Dance” combines over-dubbed vocals that have all the classical junk grace of Judee Sill with the feel of duetting ghosts over very minimal minor key guitar and a feel of heavy remembrance. “Film” moves into more expressive guitar work, with a fuzzy Loren Connors/Hells Kitchen Park appeal that ‘speaks’ every bit as eloquently as Christina’s distant vocal sighs, while “Poetry” gets even deeper into lovelorn knots of Venusian balladry and psychedelic bird song over a vocal that sounds like the kind of dream reverie of the These Trails album. “Music” is a kind of Patty Waters/Murder Mystery-style accumulation of contradictory vocal currents over wayward guitar dissonance while the closing 12 minute track is almost harrowing in its desolation, with Christina haunting a track of protesting, eviscerated blues with a vocal performance of elemental power. This is a very dark work, an emotionally highwire performance and one that demands an almost uncomfortable level of intimate engagement from the listener. A true modern exorcism and quite possibly the heaviest side of hermetic blues ever bled from her hands. Very highly recommended!