Tom Carter & Christian Kiefer – A Rather Solemn Promise

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Tom Carter & Christian Kiefer – A Rather Solemn Promise

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Artist……………: Tom Carter & Christian Kiefer

Album…………….: A Rather Solemn Promise

Genre…………….: Psychedelia: Folk/Free-Folk

Source……………: NMR

Year……………..: 2007

Ripper……………: NMR

Codec…………….: LAME 3.97

Version…………..: MPEG 1 Layer III

Quality…………..: Extreme, (avg. bitrate: 224kbps)

Channels………….: Joint Stereo / 44100 hz

Tags……………..: ID3 v1.1, ID3 v2.3

Information……….:

Ripped by…………: NMR

Posted by…………: Somebody on 5/2/2014

News Server……….:

News Group(s)……..:

Included………….: NFO

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Tracklisting

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1. (00:06:30) Tom Carter & Christian Kiefer – The Night Watchman

2. (00:06:16) Tom Carter & Christian Kiefer – Unknown Foxen

3. (00:04:18) Tom Carter & Christian Kiefer – Commune of Anarchs

4. (00:04:30) Tom Carter & Christian Kiefer – Red Flower in the Greys

5. (00:05:42) Tom Carter & Christian Kiefer – Song the Land Sings

6. (00:06:00) Tom Carter & Christian Kiefer – Birds of a Grey Country

7. (00:02:58) Tom Carter & Christian Kiefer – Snake River

8. (00:10:42) Tom Carter & Christian Kiefer – Glass Palace

9. (00:05:20) Tom Carter & Christian Kiefer – After Dresden

Playing Time………: 00:52:16

Total Size………..: 83.90 MB

NFO generated on…..: 5/1/2014 7:11:39 PM

:: Generated by Music NFO Builder v1.20 – www.nfobuilder.com ::

Album info

“Charalambides’ Tom Carter teams up with fellow string alchemist Christian Kiefer for some Loren Mazzacane Connors-influenced spectral blues. Once you’ve got over the gorgeous hand-screened sleeves (courtesy of Badgerlore’s Rob Fisk) you’re in for the kind of freeform guitar duets that made similarly-minded outings (such as last year’s excellent Tetuzi Akiyama & Donald McPherson head-to-head) such captivating listening. The tone varies between the rollicking Takoma-isms of ‘Glass Palace’ and the slide guitar weirdness of ‘Song the Land Sings’, via the ghostly banjo bust-ups of ‘Snake River’, with each piece delivered with a stereo dynamics setup whereby one musician takes the left, the other the right, giving a real sense of being in and amongst the performance. Tom Carter’s guitar in Charalambides has always been enriched with a kind of starkly atmospheric resonance, and in Kiefer he’s clearly found a likeminded artist. Consequently, it’s a great pleasure to hear the two meandering through these psyched-up American Primitive discourses with such a gnarled authenticity.” – Boomkat