BOOKLET
Title:
Blue Mitchell – The Cup Bearers (1993) [FLAC] {Riverside, OJCCD-6797-2, rec 1962}
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CDinfo:
Artist:……. Blue Mitchell
Recording Date:1962 08 28 and 1962 08 30
Release Date:. 1993
Label:…….. Riverside Records
Catalogue no:. OJCCD-6797-2
Format:……. 1CD
Genre:…….. Jazz
Style:…….. Hard Bop, Jazz Instrument, Trumpet Jazz
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Tracklist:
1 Turquoise 5:03
2 Why Do I Love You? 5:28
3 Dingbat Blues 5:41
4 Capers 6:04
5 Cup Bearers 6:15
6 How Deep Is the Ocean? 6:43
7 Tiger Lily 8:31
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Included:
flac, cue sheet (Noncompliant), log, m3u, ffp, st5, md5, info.txt, self-scans and EAC screen.jpg
Ripped with:
EAC V1.0 beta2
Encode with:
FLAC 1.2.1 20070917
Artwork:
600 dpi png. Straightened, cropped and edited with Photoshop CS2 and downsized to 300 dpi png.
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Biography by Richard S. Ginell @ AMG
Owner of a direct, lightly swinging, somewhat plain-wrapped tone that fit right in with the Blue Note label’s hard bop ethos of the 1960s, Blue Mitchell tends to be overlooked today perhaps because he never really stood out vividly from the crowd, despite his undeniable talent. After learning the trumpet in high school — where he got his nickname — he started touring in the early ’50s with the R&B bands of Paul Williams, Earl Bostic, and Chuck Willis before returning to Miami and jazz. There, he attracted the attention of Cannonball Adderley, with whom he recorded for Riverside in 1958. That year, he joined the Horace Silver Quintet, with whom he played and recorded until the band’s breakup in March 1964, polishing his hard bop skills. During his Silver days, Mitchell worked with tenor Junior Cook, bassist Gene Taylor, drummer Roy Brooks, and various pianists as a separate unit and continued recording as a leader for Riverside. When Silver disbanded, Mitchell’s spinoff quintet carried on with Al Foster replacing Brooks and a young future star named Chick Corea in the piano chair. This group, with several personnel changes, continued until 1969, recording a string of albums for Blue Note. Probably aware that opportunities for playing straight-ahead jazz were dwindling, Mitchell became a prolific pop and soul session man in the late ’60s, and he toured with Ray Charles from 1969 to 1971 and blues/rock guitarist John Mayall in 1971-1973. Having settled in Los Angeles, he also played big-band dates with Louie Bellson, Bill Holman, and Bill Berry; made a number of funk and pop/jazz LPs in the late ’70s; served as principal soloist for Tony Bennett and Lena Horne; and kept his hand in hard bop by playing with Harold Land in a quintet. He continued to freelance in this multifaceted fashion until his premature death from cancer at age 49.
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Review by Scott Yanow @ AMG
Trumpeter Blue Mitchell and four-fifths of the Horace Silver Quintet (with Cedar Walton in Silver’s place) perform a variety of superior songs on this CD reissue including Walton’s “Turquoise,” Tom McIntosh’s “Cup Bearers,” Thad Jones’s “Tiger Lily” and a couple of standards. The music swings hard, mostly avoids sounding like a Horace Silver group, and has particularly strong solos from Mitchell, tenor-saxophonist Junior Cook and Walton; excellent hard bop.